How to Brief an Interior Designer in Cheshire & Everything You Need to Prepare Before Your First Consultation
Updated: Jul 2
Most people spend a surprising amount of time researching interior designers before making contact, and then arrive at the first consultation without a clear idea of what to say. The designer asks what you are looking for, and suddenly the months of saved images and vague feelings about wanting the house to feel different seem impossible to put into words. Hada Interiors has this conversation often, and the good news is that it is completely normal.
Briefing a designer is a skill most people have never needed before. A great designer will help build the brief through conversation rather than expecting a polished document on arrival. But coming prepared, even loosely, makes that first conversation significantly more productive, and a more productive first conversation leads directly to a better design outcome. Working across Cheshire with homeowners in Chester, Knutsford, Alderley Edge, Wilmslow and Hale, Gaby finds these eight things most useful for a client to think through before a first consultation.

Start with how the space feels, not how it looks
The most useful thing a client can communicate is not a style preference but a feeling. Not "I want it to look like a hotel" but "I want to walk into this room and feel calm immediately." Not "I like contemporary design" but "I want it to feel lighter and less cluttered without losing the warmth we have now."
Feelings are more useful to a designer than visual references because they describe the outcome rather than the route to it. They are also more honest. Most people's saved images contain contradictions, because they respond to different qualities in different rooms and do not yet know which quality they are actually chasing. Before the consultation, spend five minutes thinking about each room involved in the project and writing down in plain language how you want it to feel on a Tuesday evening, not for a photoshoot. Those answers are the core of the brief.
Be honest about what is not working
This sounds obvious but it is consistently the most valuable part of any brief conversation. Not "I want a new kitchen" but "the kitchen feels cut off from where the family actually spends time and cooking has become an isolated experience." Not "the bedroom needs updating" but "it is hard to switch off in there because it feels indistinguishable from the rest of the house."
Problems described specifically are problems a designer can solve specifically. The more honestly and precisely a client can describe what is not working about their home, the more targeted and effective the design response can be. If you are unsure whether your frustrations are something a designer can help with, the post on when to hire an interior designer in Cheshire covers the situations where professional design input makes the most difference.
Know which rooms are in scope and which are not
This does not need to be final before the consultation, but having a starting position is genuinely helpful. Is this a single room commission or are multiple rooms involved? Is the kitchen the priority, or the ground floor as a whole? Are there rooms that are fine and should stay untouched, or is the brief about the whole property?
Having a rough sense of scope allows Gaby to give a realistic view of fees and timeline during the first meeting rather than needing to revisit those questions later. It also prevents the brief from expanding in directions that were never intended, which is one of the most common reasons projects become more expensive than expected. The services page explains what different scopes of work involve and what is included at each level.
Think about your budget range honestly
Budget is the conversation most clients find awkward and most designers find essential. A designer cannot responsibly recommend materials, furniture or contractors without knowing the envelope they are working within. A budget conversation avoided at the start of a project tends to become a painful conversation in the middle of it.
A precise figure is not needed. A realistic range is enough. The important thing is that the range is honest rather than aspirational. If £30,000 is genuinely comfortable for a whole floor renovation, say so. If £15,000 is the real ceiling, say that instead. A good designer will tell you honestly what is achievable within that budget, and that conversation is far more useful when it happens at the start. For context on what different scopes of work typically cost in Cheshire, the Cheshire cost guide covers this in detail.
Gather visual references, but hold them loosely
Images are useful, not as instructions but as evidence of what qualities you respond to. A collection of ten images you genuinely love tells a designer something real about your taste even if the images are inconsistent in style. It shows which qualities appear repeatedly: a particular quality of light, a material palette, a sense of scale, a feeling of warmth. Those repeated qualities are the real brief underneath the surface.
Saved images, magazine tears, photos of hotel rooms that felt right: bring them all to the consultation. But hold them loosely. A great designer will look at what you have chosen and see things in it that you have not noticed yourself, and the brief that emerges from that conversation will be better than the images you arrived with.
Know what you want to keep
Every renovation involves decisions about what stays and what goes, and being clear about the non-negotiables saves significant time. If there is an existing sofa that is not moving, say so at the start. If the kitchen units are new and the brief is about everything else in the room, be clear about that. If there is a piece of artwork or furniture with sentimental significance that needs to be worked around rather than replaced, mention it early.
Items that are off the table are as important to the brief as items that are in scope. They shape the design constraints from the very beginning and allow the designer to work with those constraints as design parameters rather than discovering them as obstacles halfway through.
Think about who uses the space and how
A home office used for video calls needs different thinking from one used for concentrated solitary work. A kitchen used for daily family cooking with young children needs different thinking from one used primarily for occasional entertaining. A principal bedroom shared by two people with completely different relationships to light and sleep needs careful thought about whose needs take priority in which aspects of the room.
The most personal and specific information about how a household actually lives is the most useful design input a client can provide, and it is the information that most generic online advice completely overlooks. Gaby is designing homes across Cheshire that real people will live in every day for years. The more honestly and specifically that daily life is described, the better the design can serve it.
Think about new builds, extensions, and specific property challenges
Cheshire homeowners arrive at a briefing consultation from very different starting points. Some are moving into a new build in Wilmslow or Hale Barns that feels blank and impersonal despite being newly built. Some are renovating a Victorian villa in Alderley Edge and trying to balance period character with modern living. Some are extending a farmhouse in rural Cheshire and need a designer involved before the builders break ground. Some have a barn conversion that has been lived in for five years and still does not feel right.
Each of these starting points shapes the brief differently and is worth thinking about clearly before the consultation. If the property has specific architectural features, constraints such as listed building status, or challenges such as an awkward layout or poor natural light, noting these down in advance means the consultation can address them directly rather than discovering them mid-conversation. If a whole home renovation is involved, the post on whole home renovation interior design explains how projects of that scale are typically structured.
What to expect from the first consultation with Hada Interiors
The first consultation is a home visit. Gaby arrives, walks through the property, and spends time understanding the space and the people in it before proposing anything at all. The consultation is paid at the standard hourly rate and refunded in full against project costs if you proceed. There is no obligation and no hard sell.
There is no requirement to have everything figured out before the meeting. The conversation itself builds the brief, and Gaby will ask the questions that draw out the information needed. What matters most is arriving willing to be honest about what is not working and what the home should feel like. After the consultation, a full written proposal covering creative direction, fee breakdown and project timeline is produced before any design work begins. You can read about every stage of the process on the process page.
If you are still weighing up whether professional design is the right decision, the post on whether it is worth hiring an interior designer in Cheshire is worth reading before making contact.
When you are ready to start the conversation, get in touch here. Every Hada Interiors project begins with a personal home visit from Gaby, and the brief is built from that first conversation rather than before it.



